A smiling man with short brown hair and a beard, wearing a navy sweater over a white collared shirt, sitting in a recording studio in front of large audio mixing equipment with sliders, switches, and meters.

Services

Recording Engineer

  • Extensive experience in both studio and large scale live recording environments, including orchestral, big band, and chamber settings. Christopher prioritizes clarity, balance, and musical integrity in every capture.

Mixing Engineer

  • Specializing in jazz and other acoustic music, with an approach that balances technical precision with musical sensitivity, informed by years as a performer.

Music Editor

  • Musical editing of recordings, specialties include large ensemble work such as the Big Band and Symphony Orchestra pieces of Wynton Marsalis.

Broadcast Engineer

  • Live Broadcast engineering of music-related events. Since 2021, he has been the engineer or assistant engineer for hundreds of broadcasts live from Jazz at Lincoln Center.

Mastering Engineer

  • Mastering for stereo singles, EPs, and albums. Delivery can include DDP for CD manufacturing and Pre Master for vinyl. 

Technical Engineer

  • Expertise in remote recordings, large scale recording projects, ProTools, Avid S6, Dante AOIP Networks, and studio design. 

Since 2021, Christopher has served on the engineering team at the world renown Jazz at Lincoln Center at Columbus Circle in New York City, joining veteran engineer Todd Whitelock and Artistic Director Wynton Marsalis. The team is responsible for all in house recordings out of the Rose Theater, Appel Room, Dizzy’s Club, and the Varis-Leichtman Studio, broadcasts on the Jazz Live streaming service, and new and archival albums for the organization’s Blue Engine Records.

Previously, Christopher worked at Sound On Sound Studios Montclair, NJ location, after the studio’s long tenure in Manhattan.


Selected Credits

Christopher has worked with many of the world’s most distinguished musicians, including working on projects for:

In addition, he has worked on a wide range of projects for record labels such as Universal, Epic Records, Warner Records, Blue Engine Records, Mack Avenue Records, ECM, Tzdaik, among others.

Broadcast engineer credits include Wynton Marsalis and the Jazz at Lincoln Center Orchestra, NBC’s The Kelly Clarkson Show, The National Academy of Television Arts & Sciences’ The Sports Emmys, and TIME Magazine’s Time 100.

Featured Work